St. Patrick's Breastplate (the Deer's Cry) |
From "How the Irish Saved Civilization" by Thomas Cahill (Nan A. Talese/Doubleday - 1995) However blind his British contemporaries may have been to it, the greatness of Patrick is beyond dispute: the first human being in the history of the world to speak out unequivocally against slavery.... St. Patrick's emotional grasp of Christian truth may have been greater than St. Augustine's. Augustine looked into his own heart and found there the inexpressible anguish of each individual, which enabled him to articulate a theory of sin that has no equal, the dark side of Christianity. Patrick prayed, made peace with God, and then looked not only into his own heart but into the hearts of others. What he saw convinced him of the bright side that even slave traders can turn into liberators, even murderers can act as peacemakers, even barbarians can take their places among the nobility of heaven. In becoming an Irishman, Patrick wedded his world to theirs, his faith to their life. For Augustine and the Roman church of the first five centuries, baptism, the mystical water ceremony in which the naked catechumen dies to sin, was the foundation of a Christian life. Patrick found a way of swimming down to the depths of the Irish psyche and warming and transforrming Irish imagination, making it more humane and more noble while keeping it Irish. No longer would baptismal water be the only effective sign of a new life in God. New life was everywhere in rank abundance, and all of God's creation was good. The druids, the pagan Irish priests who claimed to be able to control the elements, felt threatened by Patrick, who knew that a humble prayer could even make food materialize in a barren desert, because all the world was the work of his Creator-God. Of the many legends surrounding Patrick, few can be authenticated. He did not chase the snakes out of Ireland. There is no way of knowing whether he used the shamrock to explain the Trinity. He probably did have a confrontation with a king possibly the high king at Tara, and it may have been over his right to commemorate Christ's resurrection by hghting a bonfire, the same fire that has become a permanent feature of all Easter liturgies. Even Patrick's great prayer in Irish sometimes called "Saint Patrick's Breastplate" because it was thought to protect him from hostile powers, sometimes called "The Deer's Cry" because it was thought to make him resemble a deer to the eyes of those seeking to do him harm, cannot be definitely ascribed to him. Characteristics of its language would assign it to the seventh, or even to the eighth, century. On the other hand, it is Patrician to its core, the first ringing assertion that the universe itself is the Great Sacrament, magically designed by its loving Creator to bless and succor human beings. The earhest expression of European vernacular poetry, it is, in attitude, the work of a Christian druid, a man of both faith and magic. Its feeling is entirely un-Augustinian; but it is this feeling that will go on to animate the best poetry of the Middle Ages. If Patrick did not write it (at least in its current form), it surely takes its inspiration from him. For in this cosmic incantation, the inarticulate outcast who wept for slaves, aided common men in difficulty, and loved sunrise and sea at last finds his voice. Appropriately, it is an Irish voice... |